Was the tin man in the wizard of oz gay
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Rewatching The Wizard of Oz on its 80th anniversary and in companion with the 2019 biopic Judy starring Renee Zellweger in the titular role, the film’s place in queer history is something to be explored and appreciated.
Let’s start with Judy Garland. It ultimately lost to Gone with the Wind, which came out the same year.
Perhaps because she was dolled up so heavily by MGM in her early career, Garland’s persona as “girl next door” became almost over-the-top and garish. However, they are clearly madly in love with each other.
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In “Kind Hearts and Coronets”: Alec Guinness has fun playing all eight (or nine) of the unfortunate D’Ascoynes, including Lady Agatha D’Ascoyne.
The Tin Man likewise embodies the antiquarian outlook, the perspective I am the most aligned with. But Hollywood…
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By the late 1920s, Haley’s talents caught the attention of movie producers, and he found himself transitioning to the silver screen. Ultimately, Dorothy and her companions appreciate the things the Wizard can do, while learning that they must find the power within themselves, individually and collectively, to rein in the unchecked excesses of those at the top.
He seeks brains and he is the one that keeps the group moving forward, particularly when Dorothy is whisked away by the flying monkeys to the Witch’s castle. Even today, the themes of longing and acceptance that the Tin Man represents strike a chord with audiences, proving that storytelling knows no bounds.
Jack Haley’s Legacy: More Than Just a Tin Man
As we delve into Jack Haley’s legacy, it’s clear that the actor’s impact extends beyond just the role of the Tin Man in “The Wizard of Oz.” Sadly, Haley passed away on June 6, 1979, but his remarkable spirit continues to inspire artists and audiences.
In recognition of this year’s milestone Oz anniversary, I share these insights as a tribute to a film that means so much to me, and has helped to shape my gay identity.
One thing that makes The Wizard of Oz perfect is its use of themes that touch on universal human experiences. He starred in several musical comedies, setting the stage for his momentous role as the Tin Man in “The Wizard of Oz.”
The significance of this transition cannot be overstated; Jack Haley was more than just an actor—he brought a touch of heartfelt humanity to the roles he played.
Interestingly enough, while filming the beloved classic, Jack formed a strong bond with his co-stars, particularly Judy Garland; they said his warm personality lit up the set like no other. It is as if he gets lost in his own mind. Thus, Dorothy is a strong symbol of feminism. The queer community, especially in the 20th century, was at risk from many angles and always had to band together to stay alive.
However, reducing Judy Garland to her tragic life is a disservice to her as a star.
But what really makes The Wizard of Oz a masterpiece is that while it has symbolism unique to the American context and the LGBTQ community, its themes transcend and resonate with people from diverse lived human experiences.
The Wizard of Oz was nominated for a 1939 Academy Award for Best Picture. There was enormous fear and uncertainty about the future, and this simple song captured the fears and longings for a happier place where bluebirds fly in peace and rainbows fill the sky instead of military aircrafts that drop bombs on populations below.
Other Portrayals of the Tin Man
While Jack Haley’s portrayal remains the gold standard, let’s shine a light on some other interpretations of the iconic Tin Man. Comparatively analyzing these performances highlights the lasting influence of Haley’s original character.
Haley’s performance shines through in this context, as it offers viewers a depth of character that other portrayals sometimes miss.
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Best Final Movie Made by a Great Director
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Although Charles Laughton made only one and, therefore, final film, based on this film alone, he is of the Great Directors.
Number One: Before the Devil Knows You’re Dead (Sidney Lumet: 2007).
Lastly, there is the antiquarian mindset. Judy Garland is always a survivor, which gay men idolize. This is most obvious in the song “Over the Rainbow,” considered one of the greatest American songs ever written.
He was already known for his work in vaudeville and musicals, amusing audiences long before his silver screen debut. I remember my grandfather driving me to the video store, over and over, to rent it when I was four years old. In this way, The Wizard of Oz is both critical and appreciative of the capitalist economic system.
The Wizard himself could be viewed as the leader of a corporation or business.